HAMISHI FARAH
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Hamishi Farah, Untitled, 2020, Acrylic and pumice on linen, 79 × 118 cm 
Installation view, myselves, Kohn Gallery, Los Angeles, US (2020)
Hamishi Farah, Representation of Arlo, 2018, Acrylic on Canvas, 67 × 51 cm
Installation view, Condo 2017, Arcadia Missa, London, UK 
Hamishi Farah, Self-Portrait, 2020, Acrylic on linen, 59 × 51.5 cm
Hamishi Farah, A. Gorilla, 2020, Acrylic on linen canvas, 79.5 × 79.5 cm 
Hamishi Farah, Perfect Injury Dog 2 Sade 2 Sexy, 2020, Acrylic on linen, 100 × 80 cm
Installation view, Condo 2017, Arcadia Missa, London, UK 
Hamishi Farah, Parasite, 2019, Acrylic on linen, 70 × 84.5 cm
Hamishi Farah, Black Lena Dunham, 2020, Acrylic on linen, 110 × 85.5 cm
Hamishi Farah, Framed original drawings from their graphic novel Airport Love Theme, 2020, published by Book Works, London, UK
Hamishi Farah, Horcrux, 2020, Framed “Coming to America” DVD, 31 × 25.5 cm 
Hamishi Farah, Southsideju1, 2020, Acrylic on linen, 100 × 85 cm 
Hamishi Farah, Helen, 2017, Acrylic on Canvas, 91 × 63.5 cm
Hamishi Farah, Bedroom at Arles, 2016, Acrylic on linen, 191 x 110 cm
Installation view, Noise!, Frans Hals Museum, Harleem, NL (2018)
Installation view, Noise!, Frans Hals Museum, Harleem, NL (2018)
Installation view, White ppl think I’m radical, Arcadia Missa, London, UK (2017)
Hamishi Farah, Photographer, 2017, Acrylic on Canvas, 83.5 × 49 cm
Hamishi Farah, Ma, 2017, Acrylic on Canvas, 101.5 × 76 cm
Hamishi Farah, Signet (Basel), 2016, Acrylic on Canvas, 85 × 67 cm 
Hamishi Farah, Untitled (Ayesha & Steph Curry), 2016, Acrylic on Linen, 117 × 86 cm 
Hamishi Farah, Untitled (cousin’s profile picture), 2016, Acrylic on Linen, 96 × 75 cm
Installation view, Freud’s Mouth, Cooper Cole, Toronto, CA (2016)
Installation view, At this stage, Chateau Shatto, Los Angeles (2017)
Hamishi Farah, Interpol lost and found (number 3), 2015
Hamishi Farah, Interpol archive (1598), 2015-2017, Acrylic on linen, 64 × 85 cm
Hamishi Farah, Aleeyah or Repatriation for Hypervisibility, 2016, Acrylic on canvas, 184 x 122 cm
Hamishi Farah, Display home (Interface), 2014, Acrylic on board, 125 x 85 cm
Hamishi Farah, If i could be so large so to become prime minister, 2014, Acrylic on board, 125 x 85 cm