Hannah Black
b. Manchester, United Kingdom
Whitney Independent Study Program, New York, 2014
MFA Art Writing, Goldsmiths College, University of London, 2013
Selected solo/duo exhibitions
2018
I NEED HELP, Real Fine Arts, New York, US
ANXIETINA, Centre D’Art Contemporain, Geneva, CH
2017
Some Context, Chisenhale Gallery, London, UK
Small Room, mumok, Vienna, AT
Soc Or Barb, Bodega, New York, US
Frieze, Arcadia Missa, London, UK
2016
Paris Internationale (with Amalia Ulman), Arcadia Missa, Paris, FR
Screens Series: Hannah Black, New Museum Theater, New York, US
Credits, Big Screen Commission Focal Point Gallery, Southend-On-Sea, UK
Hannah Black & Letitia Beatriz, Transmission, Glasgow, UK
Credits, Lisa Cooley, New York, US
2015
Not You, Arcadia Missa, London, UK
2013
Intensive Care, Legion TV, London, UK
Selected group exhibitions
2018
Virginia Woolf, Tate St Ives, Cornwall, UK
Eye To Eye, Arsenal Contemporary, New York, US
2017
Generation Loss, Julia Stoschek Collection, Düsseldorf, DE
After the Fact: Propaganda in the 21st Century, Lenbachhaus, Munich, DE
Work it, Feel it!, Kunsthalle Wien, Vienna, AT
Body Language, High Line Art, New York, US
DEEP ANGER TRUE LOVE TENDER CARE, The Horse Hospital, London, UK
If you want to do something, forget this debt, and remember it later, Celaya Brothers Gallery, Mexico City, MX
2016
Being There, Vilma Gold, London, UK
The world no longer exists, *kurator, Rapperswil, CH
No! I Am No Singular Instrument, Various Small Fires, Los Angeles, US
The fraud that goes under the name of love, Audain, Vancouver BC, CA
WHATEVER MOVES BETWEEN US ALSO MOVES THE WORLD IN GENERAL, Murray Guy, New York, US
WELT AM DRAHT, Julia Stoschek Collection Berlin, Berlin, DE
Open Source, Gillett Square, London, UK
On Limits: Estrangement in the Everyday, The Kitchen, New York, US
Reena’s Bedstuy Glove Affair, offsite, New York, US
Ways of Living, David Roberts Art Foundation, London, UK
Active Ingredient, Lisa Cooley, New York, US
In the Flesh Part 2, Gallery Diet, Miami, US
500 boxes of contraband, David Dale Gallery, Glasgow, UK
2015
The Heart is a Lonely Hunter, Yarat Contemporary Art Centre, Baku, AZ
Workland: The Fence Is A Narrow Place, Chateau Shatto, Los Angeles, US
Does Not Equal, W139, Amsterdam, NL
Girls of the Internet Museum, Sala Luis Miro Quesada Garland, Lima, PE
Selected talks/events/projects
2018
NXIETIN, Centre D’Art Contemporain, Geneva, CH
2017
OR LIFE OR, MoMA PS1, New York, US
Screen: Hannah Black, MOCA, Los Angeles, US
2016
Anxietina: A performance by Hannah Black and Bonaventure, ICA, London, UK
Capacity, This is Public Space, Up Projects, London, UK
Finding the Body: The Last Transgression?, Central Saint Martins, London, UK
What Time Is It on the Clock of the World?, Stadtkuratorin Hamburg, Hamburg, DE
Recognizing, Imagining, Relation., Hester, New York, US
Blackness in Circulation, Open Score, New Museum, New York, US
Edition,Toronto, CA
2015
YES SCREAMING NO, The One Minutes, Intersections, ArtRotterdam, NL
Projections Program C, New York Film Festival, New York, US
Perspectives, Framer Framed, Amsterdam, NL
Fall of Communism, Image Festival winner, Overkill Award,, Toronto, CA
Screening #1 London, Schwarzwallee, Basel, CH
Canon Today, TZK Gala Conference, Haus der Berliner Festspiele, Berlin, DE
In conversation with Andrea Crespo, Swiss Institute, New York, US
7 on 7, New Museum, New York, US
Biocode, University of Pennsylvania, Philadelphia, US
2014
Total Body Conditioning, Museum of Modern Art Warsaw, PO
City Built At Night, Rematerialising Feminism, Arcadia Missa, London, UK
Columbine Library, Societe, with Bunny Rogers, Berlin, DE
Selected publications
2017
Life (With Juliana Huxtable), mumok + Walther Konig
2016
9th Berlin Biennale review, Artforum
This is Crap, Frieze
The Identity Artist and the Identity Critic, essay, Artforum
‘Ms Black,’ Are You Allergic to the 21st Century? Home Safer Spaces, essay, Harpers
Dark Pool Party, Dominica/Arcadia Missa publication
Fractal Freedoms, essay, Afterall
2015
Social Life, essay, Texte zur Kunst
2014
Crazy in Love, essay, The New Inquiry
The Loves of Others, essay, The New Inquiry