HAMISHI FARAH
Installation view, Scouring, Meredith Rosen Gallery, New York, US
Hamishi Farah, Meta-Abductive Representation, 2022, Five plaques, Dimension variable
Installation view, Hamishi Farah, Ser Serpas, SoiL Thornton, Maxwell Graham / Essex Street, New York, US (2022)
Installation view, The 8th Biennial of Painting: The ‘t’ is Silent, Museum Dhondt-Dhaenens, Deurle, BE (2022)
Installation view, The 8th Biennial of Painting: The ‘t’ is Silent, Museum Dhondt-Dhaenens, Deurle, BE (2022)
Installation view, Die Einsamkeit des Satyrs, Christine König Galerie, Vienna, AT (2021)
Installation view, Die Einsamkeit des Satyrs, Christine König Galerie, Vienna, AT (2021)
Installation view, Die Einsamkeit des Satyrs, Christine König Galerie, Vienna, AT (2021)
Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri-Art Kunsthalle Fribourg, Fribourg, CH (2021)
Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri-Art Kunsthalle Fribourg, Fribourg, CH (2021)
Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri-Art Kunsthalle Fribourg, Fribourg, CH (2021)
Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri-Art Kunsthalle Fribourg, Fribourg, CH (2021)
Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri-Art Kunsthalle Fribourg, Fribourg, CH (2021)
Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri-Art Kunsthalle Fribourg, Fribourg, CH (2021)
Hamishi Farah, Ghost Descending a Staircase, 2021, Acrylic and pumice on linen, 163 × 122 cm
Hamishi Farah, Ostentatio Vulnerum, 2021, Oil on linen, 110 × 87.5 cm 
Hamishi Farah, Dog Heaven 2, Ghost of the Black Dog, 2021, Oil and pumice on linen, 87 × 67 cm 
Hamishi Farah, Doubting Thomas, 2021, Oil on linen, 88 × 61 cm 
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, Antagoni, Chateau Shatto, Los Angeles, US (2020)
Installation view, myselves, Kohn Gallery, Los Angeles, US (2020)
Hamishi Farah, Untitled, 2020, Acrylic and pumice on linen, 79 × 118 cm 
Installation view, Condo, Arcadia Missa, London, UK (2020)
Installation view, Condo, Arcadia Missa, London, UK (2020)
Hamishi Farah, Self-Portrait, 2020, Acrylic on linen, 59 × 51.5 cm
Hamishi Farah, A. Gorilla, 2020, Acrylic on linen canvas, 79.5 × 79.5 cm 
Hamishi Farah, Perfect Injury Dog 2 Sade 2 Sexy, 2020, Acrylic on linen, 100 × 80 cm
Hamishi Farah, Parasite, 2019, Acrylic on linen, 70 × 84.5 cm
Hamishi Farah, Black Lena Dunham, 2020, Acrylic on linen, 110 × 85.5 cm
Hamishi Farah, Southsideju1, 2020, Acrylic on linen, 100 × 85 cm 
Hamishi Farah, Framed original drawings from their graphic novel Airport Love Theme, 2020, published by Book Works, London, UK
Hamishi Farah, Horcrux, 2020, Framed “Coming to America” DVD, 31 × 25.5 cm 
Installation view, Noise!, Frans Hals Museum, Harleem, NL (2018)
Installation view, Noise!, Frans Hals Museum, Harleem, NL (2018)
Hamishi Farah, Representation of Arlo, 2018, Acrylic on canvas, 67 × 51 cm
Hamishi Farah, Helen, 2017, Acrylic on canvas, 91 × 63.5 cm
Hamishi Farah, Bedroom at Arles, 2016, Acrylic on linen, 191 x 110 cm
Installation view, White ppl think I’m radical, Arcadia Missa, London, UK (2017)
Installation view, White ppl think I’m radical, Arcadia Missa, London, UK (2017)
Installation view, White ppl think I’m radical, Arcadia Missa, London, UK (2017)
Hamishi Farah, Photographer, 2017, Acrylic on canvas, 83.5 × 49 cm
Hamishi Farah, Ma, 2017, Acrylic on canvas, 101.5 × 76 cm
Installation view, At this stage, Chateau Shatto, Los Angeles, US (2017)
Hamishi Farah, Aleeyah or Repatriation for Hypervisibility, 2016, Acrylic on canvas, 184 x 122 cm
Hamishi Farah, Signet (Basel), 2016, Acrylic on canvas, 85 × 67 cm 
Hamishi Farah, Untitled (cousin’s profile picture), 2016, Acrylic on linen, 96 × 75 cm
Installation view, Freud’s Mouth, Cooper Cole, Toronto, CA (2016)
Hamishi Farah, Untitled (Ayesha & Steph Curry), 2016, Acrylic on linen, 117 × 86 cm 
Hamishi Farah, Interpol lost and found (number 3), 2015
Hamishi Farah, Interpol archive (1598), 2015-2017, Acrylic on linen, 64 × 85 cm
Hamishi Farah, Display home (Interface), 2014, Acrylic on board, 125 x 85 cm
Hamishi Farah, If i could be so large so to become prime minister, 2014, Acrylic on board, 125 x 85 cm