Installation view, Greatest Hits, EKKM, Tallinn, EE (2022)Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, Biennale de l’Art en Mouvement, Geneva, CH (2021)Hannah Black, Myth of Er, 2021, GameStop print, approximate dimensions: 31 × 25 cmInstallation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view, The Refuge: Waiting for New Beginnings, Musée Cantini, Manifesta 13, Marseille, FR (2020)Hannah Black, Ruin I, 2020, HD video, 4 minutes 1 secondInstallation view, Ruin/Rien, Arcadia Missa, London, UK (2020)Installation view, Ruin/Rien, Arcadia Missa, London, UK (2020)Hannah Black, The Hunt I, 2020, Three fake deer antlers, pages from: Oral history interview with Ed Ruscha, 1980 October 29 – 1981 October 2 for the Archives of American Art, Smithsonian Institution; Wikipedia page on Marquis de Sade; blog post on Louis XVI, the Royal Hunt and Bastille Day, 102 × 25 × 20 cm Hannah Black, Bastille, 2020, Bricks, pages from The 120 Days of Sodom by Marquis de Sade, 1785, Dimensions variableHannah Black, Oof, 2020, Oil on canvas, 180 × 170 cmInstallation view, Dede, Eberhard, Phantom, Kunstverein Braunschweig, Braunschweig, DE (2019)Installation view, Dede, Eberhard, Phantom, Kunstverein Braunschweig, Braunschweig, DE (2019)Hannah Black,Majestic/Moviola, 2019
Installation view, Dede, Eberhard, Phantom, Kunstverein Braunschweig, Braunschweig, DE (2019)Installation view, Beginning, End, None, Performance Space New York, New York, US (2019)Installation view, Beginning, End, None, Performance Space New York, New York, US (2019)Installation view, Beginning, End, None, Performance Space New York, New York, US (2019)Installation view, Aeter, Eden Eden, Berlin, DE (2018)Installation view, Aeter, Eden Eden, Berlin, DE (2018)Installation view, Aeter, Eden Eden, Berlin, DE (2018)Installation view, Aeter, Eden Eden, Berlin, DE (2018)Hannah Black, Aeter (Jack), 2018, Two-channel HD video with sound, 4 minutes 33 secondsHannah Black, Aeter (Sam) , 2018, Two-channel HD video with sound, 3 minutes 11 secondsHannah Black, My Bodies, 2014, HD colour video with sound, 3 Minutes 30 SecondsInstallation view, Sock or Barb, Bodega, New York, US (2018)Installation view, Sock or Barb, Bodega, New York, US (2018)Hannah Black performing OR LIFE OR at MoMA PS1, April 9, 2017Installation view, SomeContext, Chisenhale, London, UK (2017)Hannah Black, Transitional Object (Waiting), 2017, Fabric, coat hangerHannah Black, Transitional Object 1, 2017, Shredded copies of The Situation, fabric, modelling clayHannah Black, Transitional Object 3, 2017, Shredded copies of The Situation, fabricInstallation view, Small Room, Mumok, Vienna, AT (2017)Hannah Black, Membrane 1, 2017, Latex, wool, 110 × 262 × 8 cmHannah Black, Live, 2017, Latex, temporary tattoos, 193 × 39 × 18 cmHannah Black, Live, 2017, Latex, temporary tattoos, 193 × 39 × 18 cmInstallation view, Beginning, End, None, Mumok, Vienna, AT (2017)Installation view, Not You, Arcadia Missa, London, UK (2015)Hannah Black, The Fall of Communism, 2015, HD colour video with sound, 5 Minutes 23 SecondsHannah Black, Intensive Care/Hot New Track, 2013, HD colour video with sound, 5 Minutes 36 Seconds
