HANNAH QUINLAN & ROSIE HASTINGS
Installation view, Public Affairs, Isabella Bortolozzi, Berlin, DE (2020)
Installation view, Public Affairs, Isabella Bortolozzi, Berlin, DE (2020)
Installation view, Public Affairs, Isabella Bortolozzi, Berlin, DE (2020)
Hannah Quinlan & Rosie Hastings, Republic, 2020, Pigment on plaster on board, framed, 265 × 265 × 7 cm
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Hannah Quinlan & Rosie Hastings, The Sleepers, 2019, Coloured pencil on paper, 81.25 × 150 cm
Performance Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon and Spinach, Art Night, London, UK (2019)
Performance Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon and Spinach, Art Night, London, UK (2019)
Performance Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon and Spinach, Art Night, London, UK (2019)
Performance Hope, Joy, Youth, Peace, Rest, Life, Dust, Ashes, Waste, Want, Ruin, Despair, Madness, Cunning, Folly, Words, Wigs, Rags, Sheepskin, Plunder, Precedent, Jargon, Gammon and Spinach, Art Night, London, UK (2019)
Installation view, Kiss my Genders, Hayward Gallery, London, UK (2019)
Installation view, Kiss my Genders, Hayward Gallery, London, UK (2019)
Installation view, Kiss my Genders, Hayward Gallery, London, UK (2019)
Installation view, Kiss my Genders, Hayward Gallery, London, UK (2019)
Hannah Quinlan & Rosie Hastings, Funny Girls, 2019, Graphite on paper, 59.5 × 116 cm
Hannah Quinlan & Rosie Hastings, The Scarcity of Liberty #2, 2016, Cork board mounted on wooden frame, magazine pages, pins, 244 × 244 × 5 cm
Hannah Quinlan & Rosie Hastings, The Scarcity of Liberty #2 (detail), 2016, Cork board mounted on wooden frame, magazine pages, pins, 244 × 244 × 5 cm
Hannah Quinlan & Rosie Hastings, The Scarcity of Liberty #2 (detail), 2016, Cork board mounted on wooden frame, magazine pages, pins, 244 × 244 × 5 cm
Hannah Quinlan & Rosie Hastings, Get Yourself Clean #1, 2018, Graphite on paper, framed, 42 × 59 cm
Hannah Quinlan & Rosie Hastings, Get Yourself Clean #2, 2018, Graphite on paper, framed, 42 × 59 cm 
Hannah Quinlan & Rosie Hastings, Something for the Boys, 2018, HD Video with sound, 16 minutes 34 seconds
Hannah Quinlan & Rosie Hastings, Something for the Boys, 2018, HD Video with sound, 16 minutes 34 seconds
Installation view, Something for the Boys, Two Queens, Leicester, UK (2018)
Installation view, Something for the Boys, Two Queens, Leicester, UK (2018)
Hannah Quinlan & Rosie Hastings, Love City #1, 2017, Oil based coloured pencil on paper, 57.8 × 41.3 cm
Hannah Quinlan & Rosie Hastings, We Haven’t Spoken Since, 2018, Graphite on paper, 29.2 × 41.7 cm
Installation view, Gaby, 2018, Queer Thought, New York, US (2018)
Hannah Quinlan & Rosie Hastings, Gaby, 2018, Digital video with sound, 7 minutes 55 seconds
Hannah Quinlan & Rosie Hastings, Gaby, 2018, Digital video with sound, 7 minutes 55 seconds
Installation view, How To Survive A Flood @Gaybar, David Roberts Art Foundation, London, UK (2016)
Hannah Quinlan & Rosie Hastings, D.I.N.K (Double income no kids) #1, 2016, Aluminium, wood, led ribbon, perspex, Artists’ CGI image printed on backlit film, 150 × 150 × 10 cm
Installation view, How To Survive A Flood @Gaybar, David Roberts Art Foundation, London, UK (2016)
Installation view, Fuck Me On The Middle Walk, Truth and Consequences, Geneva, CH (2017)
Hannah Quinlan & Rosie Hastings, Fuck Me On The Middle Walk 12, 2017, Pencil on paper, 21 × 29.7 cm
Hannah Quinlan & Rosie Hastings, The Dudes, 2017, Pencil on paper, 155 × 210 × 5 cm
Installation view, We Lost Them At Midnight, Arcadia Missa, London, UK (2017)
Hannah Quinlan & Rosie Hastings, The Dudes (detail), 2017, Pencil on paper, 155 × 210 × 5 cm 
Hannah Quinlan & Rosie Hastings, The Dudes (detail), 2017, Pencil on paper, 155 × 210 × 5 cm 
Performance at Arcadia Missa in New York
Hannah Quinlan & Rosie Hastings, Attitude, 2016, Powder coated aluminium, 210 × 180 × 10 cm
Installation view, Utopian Voices Here & Now, Somerset House, London, UK (2016)
Hannah Quinlan & Rosie Hastings, The Scarcity of Liberty #1, 2016, Cork board mounted on wooden frame, magazine pages, pins, 200 × 200 × 2 cm 
Hannah Quinlan & Rosie Hastings, Becoming Natural, 2014, HD Video with sound, 5 minutes 50 seconds
Hannah Quinlan & Rosie Hastings, Becoming Natural, 2014, HD Video with sound, 5 minutes 50 seconds
Installation view, Tifkas, Arcadia Missa, London, UK
Hannah Quinlan & Rosie Hastings, Tifkas, 2015, HD Drawing printed on duratrans film in lightbox, 133 × 192 × 16 cm
