Hannah Quinlan & Rosie Hastings, Mother, 2021, Coloured pencil on paper, 150 × 110 cm
Hannah Quinlan & Rosie Hastings, Gatekeeper, 2021, Hard ground etching with aquatint on Hahnemuhle copperplate white 300gsm paper, framed, 38.7 × 50 cm
Hannah Quinlan & Rosie Hastings, The whole world may, perhaps, be rather a large country house, 2021, Coloured pencil on paper, 84 × 51 cm
Installation view, Future Generation Art Prize, Pinchuk Art Centre, Kiev, UA (2021)
Installation view, Future Generation Art Prize, Pinchuk Art Centre, Kiev, UA (2021)
Installation view, Future Generation Art Prize, Pinchuk Art Centre, Kiev, UA (2021)
Installation view, Future Generation Art Prize, Pinchuk Art Centre, Kiev, UA (2021)
Installation view, Future Generation Art Prize, Pinchuk Art Centre, Kiev, UA (2021)
Installation view, Public Affairs, Isabella Bortolozzi, Berlin, DE (2020)
Installation view, Public Affairs, Isabella Bortolozzi, Berlin, DE (2020)
Installation view, Public Affairs, Isabella Bortolozzi, Berlin, DE (2020)
Hannah Quinlan & Rosie Hastings, Republic, 2020, Pigment on plaster on board, framed, 265 × 265 × 7 cm
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Installation view, In My Room, Focal Point Gallery, Southend-on-Sea, UK (2020)
Hannah Quinlan & Rosie Hastings, The Sleepers, 2019, Coloured pencil on paper, 81.25 × 150 cm
