b.1987, London, UK
BA, Goldsmiths College, London, 2009

Installation view, Phantom Sculpture, Mead Gallery, Warwick Arts Centre, Coventry, UK (2023)
Installation view, Feet of Clay, Kestle Baron, Helston, UK (2022)
Phoebe Collings-James, Joy comes with the morning II, 2022, Unglazed ceramic, polypropylene rope and speakers, Dimensions variable
Phoebe Collings-James, Don’t despair (infinity loop), 2021, Glazed ceramic, 110 x 110 cm, 43 1/4 x 43 1/4 inches
Installation view, Feet of Clay, Kestle Baron, Helston, UK (2022)
Installation view, Body Vessel Clay, York Art Galleries, UK (2022)
Phoebe Collings-James, The subtle rules the dense, 2021, Glazed ceramic, 55 x 40 x 12 cm


In Practice, SculptureCenter, New York, US

bun babylon; a heretics anthology, Arcadia Missa, London, UK

A Scratch! A Scratch!, Camden Arts Centre, London, UK
Who Blows The Horn?, Picture Room, New York, US

Give Me A Minute, performance at Palais de Tokyo, Paris, FR
The Amount of Love You Have to Give is More Than I Can Stand, Ginerva Gambino, Cologne, DE
Relative Strength, Arcadia Missa, London, UK

Expensive Shit, 315 Gallery, New York, US

ATROPHILIA (w Jesse Darling), Company, New York, US
Triste Tropiques, Liste, Basel, CH
Just Enough Violence, CONDO, (w A.L Steiner), Arcadia Missa, London, UK

Choke On Your Tongue, Italian Cultural Institute & ARTUNER, London, UK

Die Geister, die ich rief werd’ ich nun nicht los, (The Demons I summoned Won’t Let Me Go) 3 solo presentations with Art&Language and Sam Anderson, Cookie Butcher, Antwerp, BE

The Flesh Is All You Have If You Mortify That There Is No Hope For You, Ritter Zamet Gallery, London, UK
Blood on the Leaves, Blood on the Roots, Preteen Gallery, Mexico City, MX


From the Renaissance to the Present Day: Highlights from Southampton’s Collection, Southampton City Art Gallery, Southampton, UK

Oh téléphone, oracle noir (…), Le Magasin CNAC, Grenoble, FR
Phantom Sculpture, Mead Gallery, Warwick Arts Centre, Coventry, UK
Unearthing: Memory, Land, Materiality, The Courtauld Gallery, London, UK
Within + Without, Unit London, London, UK
East London Art Prize Shortlist Exhibition, Nunnery Gallery, London, UK

IN-SIDE-OUT-SIDE-IN, Site Gallery, Sheffield, UK
Feet of Clay: Contemporary Ceramics, Kestle Barton, Helson, UK
Crowd Control, High Art Arles, Arles, FR
Body Vessel Clay, Two Temple Place, London, UK
Body Vessel Clay, York Art Gallery, York, UK
At Peace II, Two Queens, Leicester, UK

Produktive Bildstörung. Sigmar Polke und aktuelle künstlerische Positionen, Kunsthalle Düsseldorf, Düsseldorf, DE
LOOP, Eastside Projects, Birmingham, UK

You Feel Me, FACT Liverpool, Liverpool, UK

In Whose Eyes, Beaconsfield Gallery, London, UK
After Cesaire /Modern Tropiques, curated by Aindrea Emelife, Platform Southwark, London, UK
The Turnpike Pottery, Turnpike Gallery, Leigh, UK

The Yellow Wallpaper, Ginevra Gambino, Cologne, DE
Okey Dokey, Galerie Max Mayer, Düsseldorf, DE
Bust Wide Open, Harlem Postcards, Studio Museum Harlem, US
Safe Passage/Get Home Safe [Screening], Anonymous Gallery, Mexico City, MX & New York, US

Black ‘Paintings’, Site131, Dallas, US
Still/Moving, Norton Museum of Art, Miami, US
The Rebel Man Standard Festival, Guest Projects, London, UK

Art Basel Miami, (w Sam Anderson & Noel McKenna) Mother’s Tankstation, Miami, US
The Written Trace, Paul Kasmin Gallery, New York, US
I Know You Got Soul, ARNDT, Bukit Merah, SG
Manifesto, S.A.L.T Magazine, London, UK

Too Much, Two Queens, Leicester, UK
All That Matter’s is Whats Left Behind, Ronchini Gallery, London, UK
It’s Been Four Years Since 2010, Arcadia Missa, London, UK

Ground Control to Major Tom, Group show @ Cookie Butcher, home of the Verhaegen Family Collection, Antwerp, BE
Straight II DVD, Still House Group, Miami Basel, Miami, US
I Don’t Know It’s An Illusion I Don’t Care, Preteen Gallery Offsite @ Vamiali’s, Athens, GR

Effigy, Ritter Zamet, London, UK
Exhibit 1, New End Art Foundation, London, UK
I’m Too High To Deal With This Shit Right Now, 72 Truck, Madrid, ES
Ordinary Life, Marrakech Biennale, Marrakech, MA

Forum Lounge: FAST FORWARD II Santa Barbara Contemporary Arts Forum, California, US
Licker Licence touring show, Curated by Hazel Hill McCarthy of Show Cave L.A. Neoma, Milan. Mediamatic, Amsterdam. Sameheads, Berlin. Jaguar Collective, London. Preteen Gallery, Mexico City. Pendu, NYC.


The Wild Escape: Environmental artist in residence, Beaconsfield, London, UK
In conversation with Professor Kathryn Yusoff, Beaconsfield, London, UK

The Freelands Lomax Ceramics Fellowship, Camden Art Centre, London, UK

Screening, Bridge-s, curated by Solange Knowles, Getty Museum, Los Angeles, LA
Sounds 4 Survial ## performance with Jamila Johnson-Small, Borealis Festival, Bergen, NO; Café Oto, London, UK; Sonic Acts, Amsterdam, NL

Sound as Weapon, Sounds 4 Survival, performance and residency Wysing Arts Center, Cambridge, UK
Give Me A Minute, performance at Palais de Tokyo, Paris, FR
La Manutention (with Jamila Johnson-Small), Palais de Tokyo, Paris, FR
Ceramics workshop, The Turnpike, Leigh, UK

Hotline : Artist Provocations, Fierce Festival, Birmingham, UK
Chroma, Working Women of Colour Conference, New York, US
Last Yearz Interesting Negro/Jamila Johnson-Small: BASIC TENSION, ICA, London, UK

Dazed Forum, Fashion and Identity Politics
Protein Forum, Gender and new feminisms

NUOVE// Ceramics Residency, Nove, IT
Cass School of Art and Architecture, Fighting the Establishment or creating a New one?, London, UK
Tate Britain, Authenticity and Identity, London, UK
WOW festival, Royal Festival Hall, Mixed Race Identities, London, UK

East London Fawcett Group, Women in The Arts – Are Things Equal?, London, UK


Arts Council of England, London (UK); Kadist Foundation, Paris (FR); York Art Gallery, York (UK); Southampton City Art Gallery, Southampton (UK)