HANNAH BLACK

Artist CVSelected Press

Installation view, Biennale de l’Art en Mouvement, Geneva, CH (2022)

Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, The Meaning of Life, agYU, Toronto, CA (2022)

Hannah Black, Myth of Er, 2021, GameStop print, approximate dimensions: 31 × 25 cmInstallation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view,

PHOEBE COLLINGS-JAMES

Artist CVSelected Press

Installation view, Feet of Clay, Kestle Baron, Helston, UK (2022)

Phoebe Collings-James, Joy comes with the morning II, 2022, Unglazed ceramic, polypropylene rope and speakers, Dimensions variable

Phoebe Collings-James, Don’t despair (infinity loop), 2021, Glazed ceramic, 110 x 110 cm

Installation view, Feet of Clay, Kestle Baron, Helston, UK (2022)

Installation view, Body Vessel Clay, York Art Galleries, UK (2022)

Phoebe Collings-James, The subtle rules the dense, 2021, Glazed ceramic, 55 x 40 x 12 cm

Installation view,

MAJA ČULE

Artist CVSelected Press

Installation View, Elektroničke, Galerija Močvara, Zagreb, HR (2022)

Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Maja Čule, A Feature Shared By All, 2017, HD Video, 16 minutes 9 secondsInstallation view,

JESSE DARLING

Artist CVSelected Press

Installation view, Miserere, St James’s Piccadilly, London, UK (2022)Installation view, Miserere, St James’s Piccadilly, London, UK (2022)Installation view, Miserere, St James’s Piccadilly, London, UK (2022)Installation view, Miserere, St James’s Piccadilly, London, UK (2022)Installation view, Miserere, St James’s Piccadilly, London, UK (2022)

Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view,

HAMISHI FARAH

Artist CVSelected Press

Installation view, Scouring, Meredith Rosen Gallery, New York, USHamishi Farah, Meta-Abductive Representation, 2022, Five plaques, Dimension variable

Installation view, Hamishi Farah, Ser Serpas, SoiL Thornton, Maxwell Graham / Essex Street, New York, US (2022)

Installation view, The 8th Biennial of Painting: The ‘t’ is Silent, Museum Dhondt-Dhaenens, Deurle, BE (2022)Installation view, The 8th Biennial of Painting: The ‘t’ is Silent, Museum Dhondt-Dhaenens, Deurle, BE (2022)

Installation view, Die Einsamkeit des Satyrs, Christine König Galerie,

PENNY GORING

Artist CVSelected Press

Installation view, PENNY WORLD, ICA, London, UK (2022)Installation view, PENNY WORLD, ICA, London, UK (2022)Installation view, PENNY WORLD, ICA, London, UK (2022)Installation view, PENNY WORLD, ICA, London, UK (2022)Installation view, PENNY WORLD, ICA, London, UK (2022)Installation view, PENNY WORLD, ICA, London, UK (2022)

Installation view, No Escape from Blood Castle, Arcadia Missa, London, UK (2021)Installation view, No Escape from Blood Castle, Arcadia Missa, London, UK (2021)Installation view, No Escape from Blood Castle, Arcadia Missa,

LEWIS HAMMOND

Artist CVSelected Press

Installation view, Acardia Missa, London, UK (2022)

Lewis Hammond, untitled (study for a shrine), 2022, Oil on canvas, 130 x 70.5 cm

Installation view, ars viva, Kai Art Center, Tallinn, EE (2022)Installation view, ars viva, Kai Art Center, Tallinn, EE (2022)Lewis Hammond, Cruel Limbo, 2022, Oil on canvas, 120 x 160 cm Lewis Hammond, Who is this who is coming?,

HANNAH QUINLAN & ROSIE HASTINGS

Artist CVSelected Press

Installation View, Art Now, Tate Britain, London, UK (2022)

Hannah Quinlan & Rosie Hastings, Tulips, 2022, Graphite on paper, 93.3 x 16.4 cm

Installation View, Art Now, Tate Britain, London, UK (2022)

Hannah Quinlan & Rosie Hastings, Testimony, 2022, Fresco on wooden panel, 200 x 200 x 5 cm

Hannah Quinlan & Rosie Hastings, A History Of Morality, 2022, Fresco on wooden panel, 200 x 200 x 5 cm

Hannah Quinlan & Rosie Hastings,

FRIEDA TORANZO JAEGER

Artist CVSelected Press

Installation view, Autonomous Drive, MOMA PS1, New York, US (2022)Installation view, Autonomous Drive, MOMA PS1, New York, US (2022)Frieda Toranzo Jaeger, Moon in Gemini, 2022, oil on canvas, hand embroidery, and rhinestone applications, 50 × 50 cmInstallation view, Autonomous Drive, MOMA PS1, New York, US (2022)Installation view, Autonomous Drive, MOMA PS1, New York, US (2022)Installation view, Autonomous Drive, MOMA PS1, New York, US (2022)Installation view, Autonomous Drive, MOMA PS1, New York, US (2022)Installation view,

Ruin/Rien

Hannah Black

29 February – 28 July 2020

Condo London 2020

Hamishi Farah

11 January – 12 February 2020

MELIKE KARA

Artist CVSelected Press

Installation view, landing softly, Neue Galerie Gladbeck, Gladbeck, DE (2022)Installation view, landing softly, Neue Galerie Gladbeck, Gladbeck, DE (2022)Installation view, landing softly, Neue Galerie Gladbeck, Gladbeck, DE (2022)

Installation view, Is it morning for you yet?, 58th Carnegie International, Carnegie Museum of Art, Pittsburgh, US (2022)Installation view, Is it morning for you yet?, 58th Carnegie International, Carnegie Museum of Art, Pittsburgh, US (2022)Installation view, Is it morning for you yet?, 58th Carnegie International,

ANN HIRSCH

Artist CVSelected Press

Installation view, Private Residence, Steve Turner, Los Angeles, US (2017)Ann Hirsch, Jean, 2017, Fabric marker on velvet, 125.5 × 259 cmInstallation view, Private Residence, Steve Turner, Los Angeles, US (2017)Installation view, Private Residence, Steve Turner, Los Angeles, US (2017)Ann Hirsch, Q, 2016, Graphite and colored pencil on paper with artist’s frames Installation view, Design For Living, Foxy Production, New York, US (2018)Installation view, A Formidable Daughter, American Medium, Brooklyn, US (2016)Ann Hirsch,W. Crusher,

REBA MAYBURY

Artist CVSelected Press

Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Moralists at a Costume Party, Hfkd, Holstebro, DK, 2021Moralists at a Costume Party, Hfkd, Holtsebro, DK, 2021Reba Maybury, Mistress Rebecca’s Flag, 2021, Pole, tricot fabric, 450 × 200 cm (177 ⅛ × 78 ¾ inches)Reba Maybury, Used Man 1953,

HARRY SANDERSON

Artist CVSelected Press

Installation view, A Cycle of Sustain and Decay, Tick Tack, Antwerp, BE (2020)Installation view, A Cycle of Sustain and Decay, Tick Tack, Antwerp, BE (2020)Harry Sanderson, Solid State, Rain, 2016, CNC milled acrylic, torch, steel wire & fittings, 40 x 56.5 x 2 cmHarry Sanderson, Human Resolution, 2012, Digital interactive installation, 3D scanner, mylar foil projector, laptop, Dimensions variableHarry Sanderson, A Cigarette Burns, 2015, Polyurethane resin, software, machined acrylic, LED 4000 lumens torch,

AMALIA ULMAN

Artist CVSelected Press

Installation view, A Study in Scarlet, FRAC ile-de-Fance, Paris, FR (2018)Installation view, Putting Out, Gavin Brown’s Enterprise, New York, US (2018)Amalia Ulman, Bob Life, 2018, HD video with sound, 21 minutesInstallation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Monday Cartoons, Deborah Schamoni, Münich, DE (2017)Installation view,