HANNAH BLACK

Artist CVSelected Press

Hannah Black, Myth of Er, 2021, GameStop print, approximate dimensions: 31 × 25 cmInstallation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)Installation view, Wheel of Fortune, gta exhibitions, ETH Zürich, Hönggerberg, CH (2021)

Installation view, The Meaning of Life, agYU, Toronto, CA (2022)Installation view, The Meaning of Life,

PHOEBE COLLINGS-JAMES

Artist CVSelected Press

Installation view, Body Vessel Clay, Two Temple Place, London, UK (2022)Installation view, Body Vessel Clay, Two Temple Place, London, UK (2022)Installation view, A Scratch! A Scratch!, Camden Arts Centre, London, UK (2021) Installation view, A Scratch! A Scratch!, Camden Arts Centre, London, UK (2021) Installation view, A Scratch! A Scratch!, Camden Arts Centre, London, UK (2021) Installation view, A Scratch! A Scratch!, Camden Arts Centre, London, UK (2021) Phoebe Collings-James, Joy Comes With The Morning,

MAJA ČULE

Artist CVSelected Press

Installation View, Elektroničke, Galerija Močvara, Zagreb, HR (2022)

Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Installation view, Mouth, Arcadia Missa, London, UK (2017)Maja Čule, A Feature Shared By All, 2017, HD Video, 16 minutes 9 secondsInstallation view,

JESSE DARLING

Artist CVSelected Press

Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view, Enclosures, Camden Art Centre, London, UK (2022)Installation view, Enclosures, Camden Art Centre, London, UK (2022)

Installation view, No Medals No Ribbons, Modern Art Oxford, Oxford, UK (2022)Installation view, No Medals No Ribbons, Modern Art Oxford, Oxford, UK (2022)Installation view, No Medals No Ribbons, Modern Art Oxford, Oxford,

HAMISHI FARAH

Artist CVSelected Press

Installation view, Hamishi Farah, Ser Serpas, SoiL Thornton, Maxwell Graham / Essex Street, New York, US (2022)

Installation view, Die Einsamkeit des Satyrs, Christine König Galerie, Vienna, AT (2021)Installation view, Die Einsamkeit des Satyrs, Christine König Galerie, Vienna, AT (2021)Installation view, Die Einsamkeit des Satyrs, Christine König Galerie, Vienna, AT (2021)Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes, Fri-Art Kunsthalle Fribourg, Fribourg, CH (2021)Installation view, Dog Heaven 2: How Sweet the Wound of Jesus Tastes,

PENNY GORING

Artist CVSelected Press

Installation view, Penny World, ICA, London, UK (2022)Installation view, Penny World, ICA, London, UK (2022)Installation view, Penny World, ICA, London, UK (2022)Installation view, Penny World, ICA, London, UK (2022)Installation view, Penny World, ICA, London, UK (2022)Installation view, Penny World, ICA, London, UK (2022)Installation view, Penny World, ICA, London, UK (2022)Installation view, Penny World, ICA, London, UK (2022)

Installation view, No Escape from Blood Castle, Arcadia Missa, London, UK (2021)Installation view, No Escape from Blood Castle,

LEWIS HAMMOND

Artist CVSelected Press

Installation view, ars viva, Kai Art Center, Tallinn, EE (2022)Installation view, ars viva, Kai Art Center, Tallinn, EE (2022)Lewis Hammond, Cruel Limbo, 2022, Oil on canvas, 120 x 160 cm Lewis Hammond, Who is this who is coming?, 2022, Oil on canvas, 160 x 130 cmLewis Hammond, 00:01, 2022, Oil on canvas, 170 x 230 cm

Installation view, Rising and Falling (While We Were Sleeping), HKFD, Holstebro, DK (2021)Installation view, Rising and Falling (While We Were Sleeping),

HANNAH QUINLAN & ROSIE HASTINGS

Artist CVSelected Press

Installation view, Fugue, Isabella Bortolozzi, Berlin, DE (2022)

Installation view, Disgrace, Arcadia Missa, London, UK (2021)Installation view, Disgrace, Arcadia Missa, London, UK (2021)Installation view, Disgrace, Arcadia Missa, London, UK (2021)Installation view, Disgrace, Arcadia Missa, London, UK (2021)Installation view, Disgrace, Arcadia Missa, London, UK (2021)Hannah Quinlan & Rosie Hastings, Mother, 2021, Coloured pencil on paper, 150 × 110 cm Hannah Quinlan & Rosie Hastings, Gatekeeper, 2021, Hard ground etching with aquatint on Hahnemuhle copperplate white 300gsm paper,

FRIEDA TORANZO JAEGER

Artist CVSelected Press

Installation view, what do you see, you people, gazing at me, Sadie Coles HQ, London, UK (2021)Installation view, what do you see, you people, gazing at me, Sadie Coles HQ, London, UK (2021)Installation view, The Perpetual Sense of Redness, Baltimore Museum of Art, Baltimore, US (2021)Detail, The Perpetual Sense of Redness, Baltimore Museum of Art, Baltimore, US (2021)Detail, The Perpetual Sense of Redness, Baltimore Museum of Art, Baltimore, US (2021)Installation view, The Perpetual Sense of Redness,

Ruin/Rien

Hannah Black

29 February – 28 July 2020

Condo London 2020

Hamishi Farah

11 January – 12 February 2020

MELIKE KARA

Artist CVSelected Press

Installation view, as above so below, Arcadia Missa, London, UK (2022)Installation view, as above so below, Arcadia Missa, London, UK (2022)Installation view, as above so below, Arcadia Missa, London, UK (2022)Installation view, as above so below, Arcadia Missa, London, UK (2022)Installation view, as above so below, Arcadia Missa, London, UK (2022)Installation view, as above so below, Arcadia Missa, London, UK (2022)Installation view, Visions or Waking, Kunstverein Friedrichshafen, Friedrichshafen, DE (2022)Installation view, Visions or Waking,

ANN HIRSCH

Artist CVSelected Press

Installation view, Private Residence, Steve Turner, Los Angeles, US (2017)Ann Hirsch, Jean, 2017, Fabric marker on velvet, 125.5 × 259 cmInstallation view, Private Residence, Steve Turner, Los Angeles, US (2017)Installation view, Private Residence, Steve Turner, Los Angeles, US (2017)Ann Hirsch, Q, 2016, Graphite and colored pencil on paper with artist’s frames Installation view, Design For Living, Foxy Production, New York, US (2018)Installation view, A Formidable Daughter, American Medium, Brooklyn, US (2016)Ann Hirsch,W. Crusher,

REBA MAYBURY

Artist CVSelected Press

Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Moralists at a Costume Party, Hfkd, Holstebro, DK, 2021Moralists at a Costume Party, Hfkd, Holtsebro, DK, 2021Reba Maybury, Mistress Rebecca’s Flag, 2021, Pole, tricot fabric, 450 × 200 cm (177 ⅛ × 78 ¾ inches)Reba Maybury, Used Man 1953,

HARRY SANDERSON

Artist CVSelected Press

Installation view, A Cycle of Sustain and Decay, Tick Tack, Antwerp, BE (2020)Installation view, A Cycle of Sustain and Decay, Tick Tack, Antwerp, BE (2020)Harry Sanderson, Solid State, Rain, 2016, CNC milled acrylic, torch, steel wire & fittings, 40 x 56.5 x 2 cmHarry Sanderson, Human Resolution, 2012, Digital interactive installation, 3D scanner, mylar foil projector, laptop, Dimensions variableHarry Sanderson, A Cigarette Burns, 2015, Polyurethane resin, software, machined acrylic, LED 4000 lumens torch,

AMALIA ULMAN

Artist CVSelected Press

Installation view, A Study in Scarlet, FRAC ile-de-Fance, Paris, FR (2018)Installation view, Putting Out, Gavin Brown’s Enterprise, New York, US (2018)Amalia Ulman, Bob Life, 2018, HD video with sound, 21 minutesInstallation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Monday Cartoons, Deborah Schamoni, Münich, DE (2017)Installation view,