HANNAH BLACK

b. Manchester, UKLives between Marseille, FR, and New York, USWhitney Independent Study Program, New York, 2014MFA Art Writing, Goldsmiths College, University of London, 2013

Selected Press

Installation view, Marked by a Blank or Occupied by a Lie, Octo Productions, Marseille, FR

Installation view, Fever Dream, Frans Hals Museum, Haarlem, NL (2023)

Installation view, Bad Timing, Den Frie Centre of Contemporary Art, Copenhagen, DK (2023)

Installation view, Bad Timing, Den Frie Centre of Contemporary Art,

PHOEBE COLLINGS-JAMES

b.1987, London, UKBA, Goldsmiths College, London, 2009

Selected Press

.kb-row-layout-id8602_aefbb8-11 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8602_aefbb8-11 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8602_aefbb8-11 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8602_aefbb8-11 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8602_aefbb8-11{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8602_aefbb8-11 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8602_aefbb8-11 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8602_aefbb8-11 {z-index: 0;}.kb-row-layout-id8602_aefbb8-11 p { margin-bottom: 1rem;}
.kadence-column8602_c002a2-80 .kt-inside-inner-col,.kadence-column8602_c002a2-80 .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8602_c002a2-80 .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8602_c002a2-80{position:relative;}

Installation view, Oh téléphone, oracle noir (…), Le Magasin CNAC, Grenoble, FR (2023)

Installation view, Phantom Sculpture, Mead Gallery, Warwick Arts Centre, Coventry, UK (2023)

Installation view, bun babylon; a heretics anthology,

MAJA ČULE

b.1984, Rijeka, CroatiaMFA Design, School of Visual Arts, New York, 2010MA School of Design, University of Architecture, Zagreb, Croatia, 2008

Selected Press

.kb-row-layout-id8596_ca96e1-a9 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8596_ca96e1-a9 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8596_ca96e1-a9 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8596_ca96e1-a9 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8596_ca96e1-a9{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8596_ca96e1-a9 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8596_ca96e1-a9 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8596_ca96e1-a9 {z-index: 0;}.kb-row-layout-id8596_ca96e1-a9 p { margin-bottom: 1rem;}
.kadence-column8596_df057f-b5 .kt-inside-inner-col,.kadence-column8596_df057f-b5 .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8596_df057f-b5 .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8596_df057f-b5{position:relative;}

Installation View, Electronic Witches, Arcadia Missa, London, UK (2023)

Installation View,

JESSE DARLING

MFA Slade School of Fine Art, University College London, 2014BA Central St. Martins College of Art and Design, 2010

Selected Press

.kb-row-layout-id8589_f53e50-17 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8589_f53e50-17 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8589_f53e50-17 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8589_f53e50-17 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8589_f53e50-17{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8589_f53e50-17 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8589_f53e50-17 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8589_f53e50-17 {z-index: 0;}.kb-row-layout-id8589_f53e50-17 p { margin-bottom: 1rem;}
.kadence-column8589_1cd3a5-1c .kt-inside-inner-col,.kadence-column8589_1cd3a5-1c .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8589_1cd3a5-1c .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8589_1cd3a5-1c{position:relative;}

Installation view, Turner Prize 2023, Towner Eastbourne, UK (2023)

Installation view,

HAMISHI FARAH

b. 1991, Melbourne, AULives and works in New York, USNo Formal Training

Selected Press

.kb-row-layout-id8581_87c9d9-19 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8581_87c9d9-19 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8581_87c9d9-19 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8581_87c9d9-19 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8581_87c9d9-19{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8581_87c9d9-19 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8581_87c9d9-19 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8581_87c9d9-19 {z-index: 0;}.kb-row-layout-id8581_87c9d9-19 p { margin-bottom: 1rem;}
.kadence-column8581_c659ae-9d .kt-inside-inner-col,.kadence-column8581_c659ae-9d .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8581_c659ae-9d .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8581_c659ae-9d{position:relative;}

Installation view, Recital, Arcadia Missa, London, UK (2024)

Hamishi Farah, Pawn, 2024, Oil & pumice on linen, 140.4 x 80.2 x 2.4 cm,

PENNY GORING

BA Fine Art (Painting), Kingston University – 1994Fashion Writing – London College of Fashion – 1980-81

Selected Press

.kb-row-layout-id8574_ba9a97-51 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8574_ba9a97-51 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8574_ba9a97-51 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8574_ba9a97-51 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8574_ba9a97-51{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8574_ba9a97-51 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8574_ba9a97-51 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8574_ba9a97-51 {z-index: 0;}.kb-row-layout-id8574_ba9a97-51 p { margin-bottom: 1rem;}
.kadence-column8574_1336c8-02 .kt-inside-inner-col,.kadence-column8574_1336c8-02 .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8574_1336c8-02 .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8574_1336c8-02{position:relative;}

Installation view, Women in Revolt!, Tate Britain, London, UK (2023)

Installation view, Chronic Forevers,

LEWIS HAMMOND

b. 1987, Wolverhampton, UKLives and works between London, UK, and Berlin, DEPost-graduate Diploma, Royal Academy Schools, London, UK, 2017BA (Hons) Fine Art, Cass Faculty of Art, Architecture and Design, London, UK, 2012

Selected Press

.kb-row-layout-id8567_32d264-42 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8567_32d264-42 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8567_32d264-42 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8567_32d264-42 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8567_32d264-42{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8567_32d264-42 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8567_32d264-42 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8567_32d264-42 {z-index: 0;}.kb-row-layout-id8567_32d264-42 p { margin-bottom: 1rem;}
.kadence-column8567_3b1a60-48 .kt-inside-inner-col,.kadence-column8567_3b1a60-48 .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8567_3b1a60-48 .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8567_3b1a60-48{position:relative;}

Lewis Hammond, insomnis, 2024, Oil on linen,

HANNAH QUINLAN & ROSIE HASTINGS

b.1991, Newcastle / London, UKBA(Hons) Fine Art, Goldsmiths College, University of London, 2013/2014

Selected Press

.kb-row-layout-id8559_f69fcb-90 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8559_f69fcb-90 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8559_f69fcb-90 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8559_f69fcb-90 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8559_f69fcb-90{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8559_f69fcb-90 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8559_f69fcb-90 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8559_f69fcb-90 {z-index: 0;}.kb-row-layout-id8559_f69fcb-90 p { margin-bottom: 1rem;}
.kadence-column8559_1f0547-91 .kt-inside-inner-col,.kadence-column8559_1f0547-91 .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8559_1f0547-91 .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8559_1f0547-91{position:relative;}

Installation view, Onsen Confidential, Yutaka Kikutake Gallery, Tokyo, JP (2024)

Installation view, Present Tense, Hauser & Wirth Somerset, Somerset, UK (2024)

Installation View, Bleak House, Kunsthall Stavanger,

ONYEKA IGWE

b. 1986, London, UK

Lives and works in London, UK

PhD (practice based), University of the Arts London, 2016-2020

MA Documentary Practice, Goldsmiths College, 2010-2011

BSc Politics, Bristol University, 2005-2008

Selected Press

.kb-row-layout-id9484_48ab03-25 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id9484_48ab03-25 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id9484_48ab03-25 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:minmax(0, 50%) minmax(0, 50%);}.kb-row-layout-id9484_48ab03-25 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id9484_48ab03-25{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id9484_48ab03-25 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id9484_48ab03-25 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id9484_48ab03-25 {z-index: 0;}.kb-row-layout-id9484_48ab03-25 p { margin-bottom: 1rem;}
.kadence-column9484_11a963-af .kt-inside-inner-col,.kadence-column9484_11a963-af .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column9484_11a963-af .kt-inside-inner-col:before{opacity:0.3;}.kadence-column9484_11a963-af{position:relative;}

Installation view,

FRIEDA TORANZO JAEGER

b.1988, Mexico City, MXMA in Fine Arts, HfBK Hochschule Für Bildende Künste Hamburg, DE, 2019BA in Fine Arts, HfBK Hochschule Für Bildende Künste Hamburg, DE, 2017

Selected Press

.kb-row-layout-id8549_dcb48b-ab .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8549_dcb48b-ab .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8549_dcb48b-ab .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8549_dcb48b-ab .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8549_dcb48b-ab{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8549_dcb48b-ab .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8549_dcb48b-ab .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8549_dcb48b-ab {z-index: 0;}.kb-row-layout-id8549_dcb48b-ab p { margin-bottom: 1rem;}
.kadence-column8549_b0a74e-ba .kt-inside-inner-col,.kadence-column8549_b0a74e-ba .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8549_b0a74e-ba .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8549_b0a74e-ba{position:relative;}

Installation view, 60th International Art Exhibition, La Biennale di Venezia, Stranieri Ovunque – Foreigners Everywhere,

MELIKE KARA

b. 1985. Lives and works in Cologne, DEDusseldorf Art Academy (Rosemarie Trockel), 2007-2014Academy letter and Protégé, 2014

.kb-row-layout-id8544_f1d96d-fd .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id8544_f1d96d-fd .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id8544_f1d96d-fd .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id8544_f1d96d-fd .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id8544_f1d96d-fd{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id8544_f1d96d-fd .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id8544_f1d96d-fd .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id8544_f1d96d-fd {z-index: 0;}.kb-row-layout-id8544_f1d96d-fd p { margin-bottom: 1rem;}
.kadence-column8544_20ff03-45 .kt-inside-inner-col,.kadence-column8544_20ff03-45 .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column8544_20ff03-45 .kt-inside-inner-col:before{opacity:0.3;}.kadence-column8544_20ff03-45{position:relative;}

Installation view, Being Mediterranean, MO.CO., Montpellier, FR (2024)

Installation view, shallow lakes, Schirn Kunsthalle, Frankfurt, DE (2024)

Installation view, shallow lakes, Schirn Kunsthalle, Frankfurt,

COUMBA SAMBA

b. 2000, Harlem, New York, USALives and works in London, UKBA Camberwell College of ArtsFoundation, Rhode Island School of Design

Selected Press

.kb-row-layout-id10729_b02b28-63 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id10729_b02b28-63 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id10729_b02b28-63 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id10729_b02b28-63 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id10729_b02b28-63{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id10729_b02b28-63 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id10729_b02b28-63 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id10729_b02b28-63 {z-index: 0;}.kb-row-layout-id10729_b02b28-63 p { margin-bottom: 1rem;}
.kadence-column10729_62fd25-db .kt-inside-inner-col,.kadence-column10729_62fd25-db .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column10729_62fd25-db .kt-inside-inner-col:before{opacity:0.3;}.kadence-column10729_62fd25-db{position:relative;}

Installation view, ZONE, Reena Spaulings, New York, US (2024)

Installation view, Capital, Cell Project Space, London, UK (2024)

Installation view,

REINA SUGIHARA

b. 1988, Toyko, JPLives and works in Japan, JPBA Fine Arts, Tokyo University of the Arts, 2003MA Painting, Royal College of Art, 2018

Selected Press

.kb-row-layout-id9704_351ac1-24 .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id9704_351ac1-24 .kt-row-column-wrap) .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id9704_351ac1-24 .kt-row-column-wrap{column-gap:var(–global-kb-gap-sm, 1rem);row-gap:var(–global-kb-gap-md, 2rem);max-width:var(–wp–style–global–content-size);padding-top:0px;padding-bottom:0px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id9704_351ac1-24 .kt-row-layout-overlay{opacity:0.30;}.kb-row-layout-id9704_351ac1-24{z-index:1000;position:relative;}@media all and (max-width: 1024px){.kb-row-layout-id9704_351ac1-24 .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id9704_351ac1-24 .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}.kb-row-layout-id9704_351ac1-24 {z-index: 0;}.kb-row-layout-id9704_351ac1-24 p { margin-bottom: 1rem;}
.kadence-column9704_cbf671-1f .kt-inside-inner-col,.kadence-column9704_cbf671-1f .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column9704_cbf671-1f .kt-inside-inner-col:before{opacity:0.3;}.kadence-column9704_cbf671-1f{position:relative;}

Reina Sugihara Foggy, 2024 Oil on board, artist’s frame 67.4 x 82.4 x 4.4 cm 26 1/2 x 32 1/2 x 1 3/4 inches

Installation view,

Ruin/Rien

Hannah Black

29 February – 28 July 2020

Condo London 2020

Hamishi Farah

11 January – 8 February 2020

ANN HIRSCH

Artist CVSelected Press

Installation view, Private Residence, Steve Turner, Los Angeles, US (2017)Ann Hirsch, Jean, 2017, Fabric marker on velvet, 125.5 × 259 cmInstallation view, Private Residence, Steve Turner, Los Angeles, US (2017)Installation view, Private Residence, Steve Turner, Los Angeles, US (2017)Ann Hirsch, Q, 2016, Graphite and colored pencil on paper with artist’s frames Installation view, Design For Living, Foxy Production, New York, US (2018)Installation view, A Formidable Daughter, American Medium, Brooklyn, US (2016)Ann Hirsch,W. Crusher,

REBA MAYBURY

Artist CVSelected Press

Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Faster Than An Erection, MACRO, Rome, IT, 2021Moralists at a Costume Party, Hfkd, Holstebro, DK, 2021Moralists at a Costume Party, Hfkd, Holtsebro, DK, 2021Reba Maybury, Mistress Rebecca’s Flag, 2021, Pole, tricot fabric, 450 × 200 cm (177 ⅛ × 78 ¾ inches)Reba Maybury, Used Man 1953,

HARRY SANDERSON

Artist CVSelected Press

Installation view, A Cycle of Sustain and Decay, Tick Tack, Antwerp, BE (2020)Installation view, A Cycle of Sustain and Decay, Tick Tack, Antwerp, BE (2020)Harry Sanderson, Solid State, Rain, 2016, CNC milled acrylic, torch, steel wire & fittings, 40 x 56.5 x 2 cmHarry Sanderson, Human Resolution, 2012, Digital interactive installation, 3D scanner, mylar foil projector, laptop, Dimensions variableHarry Sanderson, A Cigarette Burns, 2015, Polyurethane resin, software, machined acrylic, LED 4000 lumens torch,

AMALIA ULMAN

Artist CVSelected Press

Installation view, A Study in Scarlet, FRAC ile-de-Fance, Paris, FR (2018)Installation view, Putting Out, Gavin Brown’s Enterprise, New York, US (2018)Amalia Ulman, Bob Life, 2018, HD video with sound, 21 minutesInstallation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Intolerance, BARRO, Buenos Aires, AR (2017)Installation view, Monday Cartoons, Deborah Schamoni, Münich, DE (2017)Installation view,